Elegy for George Floyd
Take a deep breath and sally forth
When taking three steps beyond your front door
If the breath flows predominantly through one nostril
Then take your first step with the corresponding foot
Your luck might be better
If you believe in the old teachings
Because a human Life can be taken because of a pack of menthols
And a counterfeit $20 bill
In god we trust still printed on its ersatz face
Is big face paper and poisonous tobacco more valuable
Than a Human Life?
A Black Life?
Inhale, exhale
Breath in, breath out
The whole world is watching
Waiting
Breathlessly
For a verdict.
How many camera angles does it take to get justice?
Breath entering our dust and we become living souls
Hong Sau, Hong Sau, Hong Sau, Hong Sau, So ‘ham
21,600 times a day
Everyday
For 100 years
Or, until the day we die
And for every breath the heart Lub Dubs four times
How long can you effortlessly hold your breath?
8 minutes 46 seconds?
9 minutes 29 seconds?
Or until we are Genesis 7:22’ed?
Taking away what they could not give
George, You came in like a Lion
And went out like a lamb
To the slaughter
Blue clad knee on a brown skinned neck
A perverse imitation of a vengeful god
Who was tired of all the rowdiness
A scapegoat baring all of our cultural sins
Lamb of god show us the sins of our world
Show us the of our world
Show us the sins of our world
(I say beating my heart with my fist)
AAAAAAAAAAAAAAAAH take a deep breath
Ujjāyī — the breath of victory
A baby’s first inhalation
Before its first scream
Before it can even know its mother’s face
Breath, stamp my story onto my spine
And let me live it until it’s end!
Mother: first Guru and first lived embodied archetypical experience
Madonna and child
Being born
Collecting the winds of the four cardinal directions
Into the center of my being
My navel
Let crying out to you be my last earthly act, too,
Mother
Whether I die with steel in my hand
Or even under the knee of cowards
Juxtapose the children baring the weight
Of testifying on behalf of their Elder
Too young to appear in court
But old enough to have witnessed atrocity
Sobs
Breaths of sadness
Breaths of tears
And 46 other types of breathing that typify our human existence
All snuffed out as
Your breath left your dust, George.
EEEEEEEEEEEEEEEEEE
The last exhalation and the breath of leaving
George, Let your breath merge with all breaths
All breaths that have ever been sighed into the atmosphere
Merge with hurricanes wrecking trailer parks
And Santa Anna winds feeding California fires,
Merge with the tornado so that the world will notice your passing
Let Ọya‘s arms embrace you so that your face can be seen in the storm clouds
Your voice be heard in the thundering
And your eyes be seen in lightning flashing.
Blend with the sirocco
Zephyr
Pneuma
prāṇa with its five divisions
And the air that feeds household and sacrificial fires
Merge with Shekhinah
Blend with caressive springtime winds inciting
The Johnny Jump Ups
Tulips
Hyacinths
Crocus and cherry blossoms
Be the life of another
And another
And another
A portion of you part of the first breath
Of those newly born as you died
What is immortality if not this?
Be ¡presente! in the revolutionary voices of people crying out for justice
Who and what do they think they were trying to kill?
You would be seen see everywhere if people had hearts
Thousands of eyes
Thousands of heads arms and legs
And a spark from the light of one thousand suns.
Not other than that spark
But a blue clad knee controlled by cultural impurities saw you as Other
Other than themselves
Other than America
Other than one man one vote
Other than fully human
Beloved on sports fields
And reviled on American city streets
Made menacing by your strength and size
A product of late 17th century plantation genetic engineering
Frankenstein wasn’t the monster
He was the man who created the monster
But your promethean flame was not initially stolen
You were not a perverse imitation of life
And you weren’t a monster either
Your Flame stolen after the fact
I take a spark of you and blow on it
To bring a little light into this darkened world.
(By Heidi Lindemann and Michael Perry)
(Image Credit: Saatchi Art / Miguel Amortegui)